This short novel, first published in 1786, is often mentioned in the list of prominent early Gothic offerings, but it is Gothic with a twist, owing more to the influence of The Arabian Nights than to The Castle of Otranto, which is considered the first Gothic novel. The setting is the opulent East, rather than a crumbling English castle, and the villain is a powerful Caliph who seeks ultimate knowledge and power. He is spurred on by his ruthlessly wicked mother as he travels to meet Eblis, the Islamic equivalent of Satan, to trade his soul for promised rewards.
Along the way, the reader is treated to accounts of numerous supernatural occurrences (the Caliph can kill with just a hard stare from his black eyes, for example) and even more accounts of atrocities committed to gain favor with Eblis (pushing 50 young children off a cliff, for example). The Caliph is distracted from his quest when he becomes enamored with a seductive young lady, but his mother tracks him down and pushes him into completing his journey.
But as we all know, pacts with the Devil never turn out well for mortals, and so it is with the Caliph.
Surprisingly enough, the novel is entertaining, although the plot consists just of one fantastical and bizarre incident after another, without any of the suspense or character development normally considered necessary for a good novel. The tone, which is slyly humorous and ironic, rescues the book from the boredom brought on by a mere catalog of incidents. My favorite part is when dwarves are pinched to death.
Even more of interest and wonder is the biography of the writer, as given in the introduction (augmented by my internet research). William Beckford was the richest man in England at the time, and built Fonthill Abbey, a huge Gothic cathedral-like castle with the highest tower in England, which housed his huge collection of art and other esoteric treasures and included a retinue of lavishly attired foreign servants, including a dwarf who opened the door. His sexual behavior was so reprehensible to society that he was forced from time to time to leave his home for the Continent to escape scandal and possible prosecution. He was widely supposed by neighbors to hold orgies with unspeakable acts in his isolated castle. More than one research source indicates that this novel was considered to be semi-autobiographical, particularly in reference to the mother of the Caliph and Beckford's real mother!
I would not recommend this novel to anyone not interested in Gothic literature and tracing its history.
Monday, August 19, 2013
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