Wednesday, September 7, 2011

Special Topics in Calamity Physics by Marisha Pessl

No, I have not suddenly developed a scientific bent, as the title of this book might lead you to believe. Rather than a science textbook, this is a creatively done coming-of-age/mystery novel. Despite some irritating problems, it is an eyes-glued-to-the-page book, a very good read.

The mystery to be solved is revealed in the first few pages: did the teacher Hannah Schneider commit suicide and if so why, or was she murdered? The remainder of the novel is a flashback to the narrator's senior year in high school and to the events leading to the death.

Blue van Meer is a 17-year-old, precociously intelligent girl who is moving yet again to a new school, accompanying her professor father who changes jobs as many as three times a year. Contrary to her usual new-school experiences, however, she is almost immediately befriended by a socially elite group, called the Bluebloods by other students, who are disciples of the charismatic teacher. Socially awkward, Blue has in the past related almost exclusively only with her handsome, arrogant, information-spewing father and is understandably puzzled by her sudden social inclusion, particularly by the actions of the teacher, who has apparently forced the Bluebloods to include her.

As Blue gradually gets to know the group members, she learns that the beautiful Hannah Schneider is also something of a mystery to the other students. Then, while on a camping trip with Hannah and her new friends, Blue finds her teacher dead from an apparent suicide.

Refusing to believe the death a suicide, Blue becomes an amateur detective in the last half of the book, and the answers she finds are surprising and change her life forever.

Problems with this book: Author Pessl has her narrator include an end note (as in a research paper) after every little item which could be considered scholarly information. Yes, this reflects the narrator's upbringing by a father who recites facts in the most casual conversations, but it becomes annoying and interrupts the pace. These notes could have been reduced by at least half while still getting the point across.

Another annoyance: the over-the-top use of similes and metaphors. While some of these are perfectly evocative, some are pretty silly, and THEY ARE EVERYWHERE! Maybe this is supposed to reflect the writing style of the high-school-age narrator, but she is portrayed as being genius-level and amazingly well-read. So what is the excuse for the annoying excess?

I could give a few more reasons why this novel isn't perfect. But that would just be me being overly critical and maybe jealous. This novel is brilliant even if it is not perfect. Highly recommended.

No comments:

Post a Comment